Other Publications
Catalogue Essays and Book Chapters:
"Elisabeth Vigée Le Brun: Fashioning and Painting the Self" in Dress as Biography, edited by Martin Pel, Bloomsbury Academic, forthcoming.
“Fashion Curating in the Vast Museum.” In Fashion Projects: 15 Years of Fashion Discourse, edited by Francesca Granata. London: Intellect Publishing, 2024.
"Fashion and Materiality," Bloomsbury Fashion Library, 2022.
"Dress and Memory." In Dressed: 7 Frauen - 200 Jahre Mode, Museum fur Kunst & Gewerbe Hamburg. MK&G Hirmer, 2022.
"A Wedding Dress and The Drawings of Sarah Casey." In Absent Presence: A Wedding Dress & The Drawings of Sarah Casey, edited by Ingrid Mida. Ryerson University, 2019.
"A Portrait of John Ruskin Through his Clothes." In Ruskin's Good Looking!, edited by Sarah Casey, 2019.
“The Slow Approach to Seeing” in Teaching Fashion Studies, edited by Holly Kent. Bloomsbury Visual Arts, 2018.
“Fashion + Curatorial Practice” in Die Mediatät der Mode edited by Rainer Wenrich. Transcript Press, 2015.
Scholarly Journal Articles:
"Fashion and Satirical Prints in 1799: James Gillray and Elegance Democratique," in Costume, forthcoming fall 2024.
"How to Dress the Body Artfully: 'The Art in Dress' Column in The Art Amateur Magazine, 1881-1883" (with Irene Gammel) in The Journal of Modern Periodical Studies 13 no.2 (2022): 226-245.
"Drawing as a Creative Approach to Studying Dress Artifacts: A Case Study of John Ruskin's Clothing" (with Sarah Casey) in Costume 54 no. 2 (2020): 202-221.
"On Objects and Things: The Wilkie Wedding Dress and the Drawings of Sarah Casey" in Museum & Society 17.3 (2019): 295-300.
"A Fashion Exhibition as Cinematic Experience" in Fashion, Film & Consumption 7.1 (2018): 57-71.
"Finding New Homes for Dress Collections: The Case Study of the Suddon-Cleaver Collection" (with Alexandra Kim) for Special Issue on Collecting in Fashion Theory (2018).
"The Curator's Sketchbook: Reflections on Learning to See" in Drawing: Research, Theory & Practice 2 no. 2 (2017): 272-285..
"Drawing as an Antidote to Technology" in "Scholars Roundtable Presentation: Technology, Friend or Foe?" Ingrid Mida (ed.) in Dress 43.2 (2017): 119-138.
"The Etymology of the Curator" In "Scholars Roundtable Presentation: Everyone Their Own Curator: Professionalism and Authority in the Digital Age" in Dress 43 no.1 (2017): 45-61.
"A Gala Performance Tutu" in Dress 42 no.1 (2016): 35-47.
“The Enchanted Spectacle of Fashion in the Museum" in Catwalk: The Journal of Fashion, Beauty and Style 4 no. 2 (2015): 47-70.
"Animating the Body in Museum Exhibitions of Fashion and Dress" in Dress 41 no.1 (2015): 37-51.
Other:
"Letter from the Editor" in DRESS 49.2 , Fall 2023.
"Letter from the Editor" in DRESS 49.1, Spring 2023.
“Fashion Forward: Anticipating the Revival of the Baroque Spirit.” In Tafel Magazine, Spring 2021.
"J. Schul, Portrait of a Lady Holding an Orange Blossom" in Smarthistory, January 28, 2021.
"Fashion and Politics in Franz Xaver Winterhalter’s Portrait of The Empress Eugénie surrounded by her Ladies-in-Waiting" in Smarthistory, October 28, 2020.
"Elisabeth Vigée Le Brun, Self-Portrait with Her Daughter Julie (à l’Antique)," in Smarthistory, June 28, 2020.
"A Portrait of John Ruskin and Masculine Ideals of Dress in the Nineteenth Century," in Smarthistory, May 26, 2020.
"John Michael Wright, The Coronation Portrait of Charles II," in Smarthistory, May 26, 2020.
"Pierre-Auguste Renoir, Portrait of Madame Charpentier and Her Children," in Smarthistory, October 18, 2019.
Exquisite Corpses: A Collaborative Project with Sarah Casey, Design British Council, Back of the Envelope Blog Post #1, May 1, 2018.
Exquisite Corpses: A Collaborative Project with Sarah Casey, Design British Council, Back of the Envelope Blog Post #2, May 1, 2018.
Book and Exhibition Reviews:
“Review of Patch Work, A Life Amongst Clothes by Claire Wilcox.” In The Journal of Dress History 5 no. 4 (2021).
"Review of Refashioning and Redress: Conserving and Displaying Dress," in The Journal of Dress History 3 no. 2 (Summer 2019).
"Review of Death Becomes Her: A Century of Mourning Attire" in Clothing Cultures 3 no. 1 (2016).
"Review of Inspirations: Dries Van Noten" in The Journal of Curatorial Studies 5 no. 1 (2016).
"Review of Lanvin" in Catwalk: The Journal of Fashion, Beauty and Style 5 no. 1 (2016).
"Review of Fashion Victims, The Pleasures and Perils of Dress in the Nineteenth Century" in Dress 41 no.1 (2015).
"Elisabeth Vigée Le Brun: Fashioning and Painting the Self" in Dress as Biography, edited by Martin Pel, Bloomsbury Academic, forthcoming.
“Fashion Curating in the Vast Museum.” In Fashion Projects: 15 Years of Fashion Discourse, edited by Francesca Granata. London: Intellect Publishing, 2024.
"Fashion and Materiality," Bloomsbury Fashion Library, 2022.
"Dress and Memory." In Dressed: 7 Frauen - 200 Jahre Mode, Museum fur Kunst & Gewerbe Hamburg. MK&G Hirmer, 2022.
"A Wedding Dress and The Drawings of Sarah Casey." In Absent Presence: A Wedding Dress & The Drawings of Sarah Casey, edited by Ingrid Mida. Ryerson University, 2019.
"A Portrait of John Ruskin Through his Clothes." In Ruskin's Good Looking!, edited by Sarah Casey, 2019.
“The Slow Approach to Seeing” in Teaching Fashion Studies, edited by Holly Kent. Bloomsbury Visual Arts, 2018.
“Fashion + Curatorial Practice” in Die Mediatät der Mode edited by Rainer Wenrich. Transcript Press, 2015.
Scholarly Journal Articles:
"Fashion and Satirical Prints in 1799: James Gillray and Elegance Democratique," in Costume, forthcoming fall 2024.
"How to Dress the Body Artfully: 'The Art in Dress' Column in The Art Amateur Magazine, 1881-1883" (with Irene Gammel) in The Journal of Modern Periodical Studies 13 no.2 (2022): 226-245.
"Drawing as a Creative Approach to Studying Dress Artifacts: A Case Study of John Ruskin's Clothing" (with Sarah Casey) in Costume 54 no. 2 (2020): 202-221.
"On Objects and Things: The Wilkie Wedding Dress and the Drawings of Sarah Casey" in Museum & Society 17.3 (2019): 295-300.
"A Fashion Exhibition as Cinematic Experience" in Fashion, Film & Consumption 7.1 (2018): 57-71.
"Finding New Homes for Dress Collections: The Case Study of the Suddon-Cleaver Collection" (with Alexandra Kim) for Special Issue on Collecting in Fashion Theory (2018).
"The Curator's Sketchbook: Reflections on Learning to See" in Drawing: Research, Theory & Practice 2 no. 2 (2017): 272-285..
"Drawing as an Antidote to Technology" in "Scholars Roundtable Presentation: Technology, Friend or Foe?" Ingrid Mida (ed.) in Dress 43.2 (2017): 119-138.
"The Etymology of the Curator" In "Scholars Roundtable Presentation: Everyone Their Own Curator: Professionalism and Authority in the Digital Age" in Dress 43 no.1 (2017): 45-61.
"A Gala Performance Tutu" in Dress 42 no.1 (2016): 35-47.
“The Enchanted Spectacle of Fashion in the Museum" in Catwalk: The Journal of Fashion, Beauty and Style 4 no. 2 (2015): 47-70.
"Animating the Body in Museum Exhibitions of Fashion and Dress" in Dress 41 no.1 (2015): 37-51.
Other:
"Letter from the Editor" in DRESS 49.2 , Fall 2023.
"Letter from the Editor" in DRESS 49.1, Spring 2023.
“Fashion Forward: Anticipating the Revival of the Baroque Spirit.” In Tafel Magazine, Spring 2021.
"J. Schul, Portrait of a Lady Holding an Orange Blossom" in Smarthistory, January 28, 2021.
"Fashion and Politics in Franz Xaver Winterhalter’s Portrait of The Empress Eugénie surrounded by her Ladies-in-Waiting" in Smarthistory, October 28, 2020.
"Elisabeth Vigée Le Brun, Self-Portrait with Her Daughter Julie (à l’Antique)," in Smarthistory, June 28, 2020.
"A Portrait of John Ruskin and Masculine Ideals of Dress in the Nineteenth Century," in Smarthistory, May 26, 2020.
"John Michael Wright, The Coronation Portrait of Charles II," in Smarthistory, May 26, 2020.
"Pierre-Auguste Renoir, Portrait of Madame Charpentier and Her Children," in Smarthistory, October 18, 2019.
Exquisite Corpses: A Collaborative Project with Sarah Casey, Design British Council, Back of the Envelope Blog Post #1, May 1, 2018.
Exquisite Corpses: A Collaborative Project with Sarah Casey, Design British Council, Back of the Envelope Blog Post #2, May 1, 2018.
Book and Exhibition Reviews:
“Review of Patch Work, A Life Amongst Clothes by Claire Wilcox.” In The Journal of Dress History 5 no. 4 (2021).
"Review of Refashioning and Redress: Conserving and Displaying Dress," in The Journal of Dress History 3 no. 2 (Summer 2019).
"Review of Death Becomes Her: A Century of Mourning Attire" in Clothing Cultures 3 no. 1 (2016).
"Review of Inspirations: Dries Van Noten" in The Journal of Curatorial Studies 5 no. 1 (2016).
"Review of Lanvin" in Catwalk: The Journal of Fashion, Beauty and Style 5 no. 1 (2016).
"Review of Fashion Victims, The Pleasures and Perils of Dress in the Nineteenth Century" in Dress 41 no.1 (2015).